Downloadable PDFs
On/around UNICA:
UNICA - exhibition publication (with texts by Luisa Lorenza Corna, Lisa Jeschke and Claire Star Finch, 2022) from UNICA, edited by Junia Tiede, Dennis Brzek and Markus Hannebauer, Fluentum with Distanz Verlag, Berlin, 2022.
So ist das Gebäude, der Spiegel des Körpers (Steph Holl-Trieu, 2022) and Thus is the building, the mirror of the body (Steph Holl-Trieu, 2022) EN translation from Texte zur Kunst, 23 September 2022.
Blaise Kirschner: UNICA - Illiberal Lives exhibition booklet (Anselm Franke, 2023), Ludwig Forum Aachen, 2023.
Mapping Anamersion [on Unica Zürn's House of Illnesses] - excerpt from PhD thesis (Blaise Kirschner, 2022) from Anamersion: Toward a postcinematic poetics of immersion, PhD thesis, Royal College of Art, School of Arts & Humanities, London, 2022.
On the drawing series PATTERNS and SKINS:
Immersion/Preparation: Blaise Kirschner’s PATTERNS and SKINS - Illiberal Arts exhibition booklet (Lisa Jeschke, 2021), HKW - Haus der Kulturen der Welt, Berlin, 2021.
On Kathy Acker:
MY A-C-K-E-R: DEMONOLOGY (Blaise Kirschner, 2018/2022) from Kathy Acker. Get Rid Of Meaning, edited by Anja Casser and Matias Viegener, Badischer Kunstverein Karlsruhe with Verlag der Buchhandlung Walther König, Cologne 2022.
On/around Moderation:
Wasted Temporalities, Contaminated Subjects (Blaise Kirschner, 2018) from Post-apocalyptic Realism, edited by Tonio Kröner, Laura Preston and Tanja Widmann, Museum Brandhorst with Verlag der Buchhandlung Walther König, Cologne 2018.
Das Begehren der Wunden. Am Ende der Arbeit. (Kerstin Stakemeier, 2017) and The Desire of Wounds. At the End of the Work. (Kerstin Stakemeier, 2017), EN translation from Entgrenzter Formalismus: Verfahren einer antimodernen Ästhetik, Kerstin Stakemeier, POLYpeN, Berlin, 2017.
MODERATION - press kit (Blaise Kirschner, Nadja Argyropoulou, 2016)
Catastrophe as Form: Surviving Yourselves (Blaise Kirschner & Kerstin Stakemeier, 2016) from Animal of The State: Fiction through Reality, edited by Survival Kit, Akademie der Bildenden Künste München with Harmann von Mier Verlag, Munich, 2016.
On/around Ultimate Substance and The Last Days of Jack Sheppard:
Sell Everything, Buy Everything, Kill Everything (Blaise Kirschner and David Panos, 2015) from Power of Material/Politics of Materiality, edited by Kerstin Stakemeier and Susanne Witzgall, Diaphanes, Berlin, 2014.
On Ultimate Substance:
ULTIMATE SUBSTANCE - exhibition catalogue (with texts by András Pálffy, Richard Seaford, Blaise Kirschner, 2012) from Ultimate Substance, edited by Annette Südbeck and Tiny Lipsky, Secession, Vienna, Neuer Berliner Kunstverein, Berlin, Extra City Kunsthal, Antwerpen, CentrePasqueArt, Biel with Revolver Publishing, Berlin, 2012.
Matters of Abstraction: Brechtian Realism, Contemporary Art, and the Critique of Capital (Tobias Ertl, 2024) from Diacritics, Volume 52, Number 3, 2024, Johns Hopkins University Press.
On The Empty Plan:
The Empty Plan - exhibition publication (Alice Koegel, Blaise Kirschner and David Panos with Kerstin Stakemeier, 2011) from Offenes Depot: The Empty Plan, edited by Alice Koegel, Staatsgalerie Stuttgart, 2011.
On Polly II: Plan for a Revolution in Docklands:
Lights, Camera, Now-Time! Polly II: Plan for a Revolution in Docklands
(Marina Vishmidt, reprint with commentary by Danny Hayward and Kerstin Stakemeier, 2006/2026) from Moussse #89, Fall 2024.