MONOGRAPHS
UNICA, edited by Junia Tiede, Dennis Brzek and Markus Hannebauer, with an introduction by Junia Thiede and Dennis Brzek and texts by Claire Finch, Lisa Jeschke and Luisa Lorenza Corna, Fluentum with DISTANZ, Berlin, 2022.
Ultimate Substance, edited by Annette Südbeck and Tiny Lipsky, with an introduction by András Pálffy and texts by Richard Seaford and Anja Kirschner, Secession, Vienna, Neuer Berliner Kunstverein, Berlin, Extra City Kunsthal, Antwerpen, CentrePasqueArt, Biel with Revolver Publishing, Berlin, 2012.
The Empty Plan, edited by Alice Kögel, with an introduction by Alice Kögel and texts by Alice Kögel, Kerstin Stakemeier, Anja Kirschner and David Panos, Staatsgalerie Stuttgart, 2011.
The Last Days of Jack Sheppard, edited by Polly Staple and Francis McKee, with an introduction by Polly Staple, a text by Francis McKee and a film script by Anja Kirschner, Chisenhale Gallery, London, and Centre for Contemporary Arts, Glasgow with Cornerhause Publications, Manchester, 2009.
Baumuster, Anja Kirschner, Nieves Books, Zurich, 2009.
OTHER PUBLICATIONS (selection)
Kathy Acker. Get Rid Of Meaning, edited by Anja Casser and Matias Viegener, Badischer Kunstverein Karlsruhe with Verlag der Buchhandlung Walther König, Cologne 2022.
Illiberal Arts, edited by Anselm Franke and Kerstin Stakemeier, HKW - Haus der Kulturen der Welt with PoLYpeN, Berlin, 2021.
Artists’ Moving Image in Britain since 1989, edited by Erika Balsom, Lucy Reynolds and Sarah Perks, Paul Mellon Centre for Studies in British Art, London and New Haven, 2019.
Post-apocalyptic Realism, edited by Tonio Kröner, Laura Preston and Tanja Widmann, Museum Brandhorst with Verlag der Buchhandlung Walther König, Cologne 2018.
Entgrenzter Formalismus: Verfahren einer antimodernen Ästhetik, Kerstin Stakemeier, POLYpeN, Berlin, 2017.
Sculpture on Screen: The Very Impress of the Object, Penelope Curtis, Calouste Gulbenkian Museum, Lisbon, 2017.
Here Is Information. Mobilise. Selected Writings by Ian White, edited by Mike Sperlinger, LUX, London, 2016.
Animal of The State: Fiction through Reality, edited by Survival Kit, Akademie der Bildenden Künste München with Harmann von Mier Verlag, Munich, 2016.
Moving Image, Documents of Contemporary Art, edited by Omar Kholeif, Whitechapel Galley, London, with MIT Press, Cambridge Massachusetts, 2015.
Cross-Examinations, edited by Mihnea Mircan, Extra City Kunsthal, Antwerp, 2015.
Power of Material/Politics of Materiality, edited by Kerstin Stakemeier and Susanne Witzgall, Diaphanes, Berlin, 2014.
Requiem for a Bank, edited by Fabian Saavedra-Lara and Judith Funke, Hardware MedienKunstVerein (HMKV), Dortmund, 2014.
Anfang Gut. Alles Gut., edited by Eva Birkenstock, Nina Köller and Kerstin Stakemeier, Verlag der Buchhandlung Walther König, Cologne, 2013.
Notes on The Magic of the State, edited by Silvia Sgualdini, Sarah Rifky, Jens Maier-Rothe and Antonia Alampi, Lisson Gallery with Cornerhouse Publications, London 2013.
The Sensible Stage: Staging and the Moving Image, edited by Bridget Crone, Intellect, Bristol, 2012
Nought to Sixty: 60 Projects, 6 Months, edited by Mark Sladen, Richard Birkett, Mason Leaver-Yap, Institute of Contemporary Art, London, 2009.
PRESS (selection)
REPRINT: “Lights, Camera, Now-Time! Polly II: Plan for a Revolution in Docklands” Marina Vishmidt (2006), selected by Danny Hayward and Kerstin Stakemeier, Moussse #89, Fall 2024Autonomy’s Double Bind, Rose-Anne Gush, Brand New Life, 7 December 2023
So ist das Gebäude, der Spiegel des Körpers, Steph Holl-Trieu, Texte zur Kunst, 23 September 2022
Re-Orienting Narration: An Interview with Anja Kirschner, Cristina Ramos, Berlin Art Link, 7 July 2022
Anja Kirschner: UNICA, Sam Dolbear, Art Monthly, Issue 458, July-August 2022
Normal People, Kristian Vistrup Madsen, Artforum Diary, 5 May 2022
Wiederholt es, bis die Katastrophe einen Platz in euch findet. Anja Kirschner bei Fluentum, Maximilian Wahlich, art-in-berlin, 3 May 2022
Die Echtheit der Emotion, Franziska Linhardt, Passe-Avant, 13 Jun 2020
A Feminist Axis, Luisa Lorenza Corna, Art Monthly, Issue 434, Mar 2020
Touching Sights, Bleeding Edges, Anja Kirschner, Florida Magazine, Issue 5: Florida_Beyond, Mar 2019
Kathy Acker: Get Rid of Meaning, Hestia Peppe, Afterall, 19 Mar 2019
Kathy Acker: Get Rid of Meaning, McKendzie Wark, Brooklyn Rail, 5 Feb 2019
In a Manner of Speaking, Anja Kirschner, Texte zur Kunst, Issue 108, Dec 2017
Anja Kirschner and David Panos - Uncanny Valley, ICA Bulletin, 16 Dec 2013
Anja Kirschner: I'm Frightened. Bring Popcorn, ATPdiary, 27 Nov 2013
The Magic of the State, Mia Jankowicz, Frieze, Issue 156, Jun 2013
The Hunger, Katie Kitamura, Frieze, Issue 156, Jun 2013
Anja Kirschner & David Panos: Ultimate Substance, Els Fiers, Metropolis M, Issue 2, Apr 2013
Schmelzende Münzen, Johannes Paul Raether, Texte zur Kunst, Dec 2012
Art & Politics: A Survey, Part 2, Frieze 12 Sep 2012
After Effects - The Art of Anja Kirschner and David Panos, Marin Herbert, Artforum, May 2012
More than a Feeling: A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers, Dan Kidner, Frieze, Issue 142, Oct 2011
Anja Kirschner & David Panos: The Empty Plan, John Douglas Millar, Art Monthly, Feb 2011
Interview: Anja Kirschner and David Panos, Saim Demircan, Tank Magazine, Autumn 2010
Jack’s Back! In the Movies at Last!, Peter Linebaugh & A Response to Peter Linebaugh, Anja Kirschner and David Panos, Mute, Jan 2010
The Artists’ Artists: Anja Kirschner and David Panos, Susanne M. Winterling, Artforum, Dec 2009
Interview: Anja Kirschner and David Panos, Neil Gray, Variant, Winter 2009
Notes on The Last Days of Jack Sheppard: Capital Crimes and Paper Claims, Benedict Seymour, Mute, Vol.2 , Issue 13, Autumn 2009
Production: Steven Cairns in conversation with the artists, MAP, Issue 19, Autumn
The Last Days of Jack Sheppard, Kate Forde, Frieze, Issue 125, Sep 2009
The Bubble Economy, Brian Dillon, New Statesman, 21 May 2009
Artist of the week 40: Anja Kirschner, Jessica Lange, The Guardian, 13 May 2009
Western vérité, Alli Beddoes, Mousse, April/May 2009
Duck! You Regeneration Sucker, Neil Gray, Mute, Spring 2009
On the Ground: London, Emily Pethick, Artform, Dec 2008
Craven New World, Tom Jennings, Variant, Summer 2008
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands, Will Fowler, Vertigo, Jan 2007
The Films of 2006, Sukhdev Sandhu, Sight & Sound, Jan 2007
On the Ground: London, Melanie Gilligan, Artform, Dec 2006
Lights, Camera, Now-Time! - Polly II: Plan for a Revolution in Docklands, Marina Vishmidt, Untitled 36, Autumn 2006.